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	<title>Ru Marshall</title>
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		<title>Writing</title>
				
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		<pubDate>Sun, 28 Jul 2024 10:27:27 +0000</pubDate>

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American Trickster: The Hidden Lives of Carlos Castaneda

OR Books
May 2026

Order from OR Books
Also available at Bookshop.org, Barnes and Noble, and Amazon"In Marshall's hands, American Trickster is smart, thoughtful -- and all too timely."Kurt Andersen, The New York Times“[Marshall’s] book becomes not merely the story of a man’s life and of his followers, but the story of biography itself, why it remains problematic and yet indispensable.” Carl Rollyson, The New York Sun
"An extraordinary amalgam of investigation, reportage, psychology, sociology and cultural studies: a monumental study of deception and self-delusion that does full justice to the bizarre and befuddling life of its subject."

Mick Brown, The Spectator
"A project of epic proportions, pulled off with remarkable élan."Kirkus Reviews"Reveals the depth of [Castaneda’s] deception — and, just as potently, how easily people can be taken in by it…. This is a 1970s story, but anybody in the present can relate."
Mark Athitakis, Los Angeles Times


"Carlos Castaneda: American Trickster is a stunning achievement. This genre-stretching biography moves fluidly between the mundane and the intellectual, the traumatic and the surreal. Marshall's philosophical acuity, honest self-examination, and edgy style make this book a fascinating quest narrative."
Carol Sklenicka, author of
Raymond Carver: A Writer's Life and Alice Adams: Portrait of a Writer“The power of research and willingness to confront the insanity of this story is beyond impressive – it is a superpower. Like a Patricia Highsmith novel, [Marshall] tells us immediately who did it. There is no mystery – Carlos Castaneda … was a fraudster beyond most human’s ability and yet one of the most persuasive manipulators in the 1960s-90s sea of American cults … The book’s far larger gift is a social history of the era with all kinds of people popping up in strange and enticing ways … the crazier the story gets, the more intense the story-telling becomes, and the final third of the book is an exhaustive effort to make something so confusing – other people’s psychoses – legible.
This is an amazing achievement.”
 Sarah Schulman, author of The Cosmopolitans and Let the Record Show: A Political History of the AIDS Coalition to Unleash Power
"Anthropologist­–turned–New Age celebrity author Carlos Castaneda was a fraud and a cult leader, but also a powerful writer who tilled psychologically fertile material, according to this entrancing biography. Novelist Marshall … paints Castaneda as a charismatic liar—he fibbed about his age, name, upbringing, military service, and marriage—who, as a writer, turned mystical abstractions into arresting stories and imagery, including, Marshall perceptively argues, oblique references to his own tortured longing to erase his personal history….Marshall combines a colorful account of Castaneda’s sly triumphs with shrewd analysis of the toxic psychodramas by which he overawed his followers….In the portrait that emerges, Castaneda appears as captivating as Don Juan himself—a principal architect, for all his chicanery, of modern pop spirituality. This enthralls.”
Publishers Weekly (starred review)
"Smart and Seductive ... Catch Me if You Can on 'shrooms."
Marion Winik, The Weekly Reader
“A triumph: With ferocious insight, wit, and compassion, Ru Marshall brings Carlos Castaneda’s manipulative allure to life. American Trickster is thrillingly researched, brilliantly argued, written with verve, and impossible to put down. From the intrigues of academia to the crimes of the conquistadors, Marshall tracks the reverberations of Castaneda’s thefts and dangerous lies—in the process giving voice to many of the seekers who became enmeshed in his cultic world. Marshall’s prodigious work is the definitive—as well as lyric—guide to Casteneda’s toxic history and the larger devastations of which he was a part, not least our own authoritarian times.”
Lisa Cohen, author of All We Know: Three Lives

"When the University of California published Carlos Castaneda’s The Teachings of Don Juan in 1968, it galvanized a generation and changed the field of anthropology. But the book was a hoax, a work of fiction. Plagiarized from multiple sources, it belonged to a long tradition of misrepresenting indigenous cultures. There was never a sorcerer named Don Juan. But there was a brilliant, magpie-ish storyteller named Carlos, who later become the leader of a deadly cult. Through exhaustive research, incisive analysis, and bravura storytelling, Ru Marshall reveals the true story of one of the 20th century’s most mysterious figures, and in so doing, reinvigorates and expands the biography genre."
Matthew Sharpe, author of Jamestown and The Sleeping Father
"I hear Ru Marshall when they aren’t there. Certain writers leave their music in your head, and it stays. If Ru’s voice went to a bar, it would order a Negroni with gin and talk to the bartender about their day. Everyone in the bar would drift over, and everyone at the bar would think Ru was speaking directly to them. They would be. That is the illusion that narrative produces when it is intimate and in love with the comedy and sexiness of uncertainty. Uncertainty about knowing the self, the outer world, and the sources of human pain. Uncertainty is the lab where all art experiments are staged, and Ru Marshall is a master storyteller who will keep seducing you with language."
Laurie Stone, who writes the Substack publication Everything is Personal“[American Trickster] is, by any reckoning, an awesome achievement … Marshall is unafraid of taking on the biggest questions that, at every point, arise … and provides wise, measured responses to them all.”
Adrian Martin, film critic, author of Once Upon a Time in America


"The most famous anthropologist after Margaret Mead, Carlos Castaneda declared ‘Nobody knows who I am or what I do.’ An entire generation fell under his cultic influence. In American Trickster, the brilliant Ru Marshall reaches deep into philosophy, film, history and anthropology to examine Castaneda’s sinister legacy. Spooky, mercurial, power-hungry, and dangerous -- what is certain about Castaneda? He was short. Even Marshall's footnotes are witty."
Terese Svoboda, author of&#38;nbsp;Anything That Burns You: A Portrait of Lola Ridge, 
Black Glasses Like Clark Kent and
The Bohemian Girl

"Rarely have I met a book as edifying, gripping and wise as Ru Marshall's biography of Carlos Castaneda. Anyone who wants to understand how charisma, cults and, indeed, today's politics work, should read this. It gives us the vocabulary we need to comprehend what's going on in our divided country while showing us how vulnerable we all are to seduction."
Helen Benedict, author of A Map of Hope and Sorrow, and Wolf Season
"Ru Marshall’s necessary and groundbreaking American Trickster takes us into the dark heart of Carlos Castaneda, one of the twentieth century’s most brilliant hoaxers. There are real crimes here, and real horror. Marshall paints a devastating portrait of the spiritual leader’s genuine allure, and the febrile cultural landscape of the sixties that proved such a fertile ground for his fabrications. The urgent message of this oh-so-timely book is that when the message suits the age the turning of a million minds can be as easy as the loss of one."
Ranbir Sidhu, author of Deep Singh Blue and Good Indian Girls
“Engrossing … Ru Marshall excavates a genre-defying cautionary tale as the cult wars of the 1970s bleed into the culture wars of the 2020s.”Don Lattin, author of The Harvard Psychedelic Club&#38;nbsp; 

“In the long history of American fakery … Carlos Casteneda holds a special place. Ru Marshall’s biography is exhaustive, yet often a page-turner, taking us far and deep into the alternate universe that Casteneda created. Fascinating.”
Christopher Miller, author of Impostors



“Operating simultaneously on many levels, American Trickster is part biography, part intellectual history, part cult analysis, and part philosophical excavation. The writing is philosophical and poetic by turns, capable of both sustained analytical argument and lapidary compression… Marshall's ambition in American Trickster is considerably larger and more demanding than debunking. Their goal is understanding — in the fullest possible sense.”
Richard Jennings, Sustained Action

“American Trickster is the persuasive biography of an archetypal confidence man—a quintessential American tale.”
Brian D. Henderson, Foreword Reviews

American Trickster, with Ru Marshall &#124; OR Radio PodcastRu Marshall - American Trickster: The Hidden Lives of Carlos Castaneda &#124; The Opperman ReportAMERICAN TRICKSTER, a Brilliant Expose of Faux Anthropologist Carlos Castaneda by Ru Marshall &#124; Rated LGBT Radio podcastThe Castaneda Con with Ru Marshall &#124; Varn VlogRu Marshall: American Trickster - Carlos Castaneda &#124; Critically Speaking
 Uncover truths in our latest deep dive on Carlos Castaneda &#124; IndoctriNATION PodcastAmerican Trickster: The Cults of Carlos Castaneda &#124; Conspiracy Clearinghouse

American Trickster: The Hidden Lives of Carlos Castaneda, the New Book by Ru Marshall &#124; William Ramsey Investigates

AMERICAN TRICKSTER with author Ru Marshall and Lisa Cohen &#124; OR BooksRu Marshall on Carlos Castaneda, with Thad Ziolkowski &#124; CUNY

The Dark Legacy of Carlos CastanedaThe Witches Of Westwood And Carlos Castaneda's Sinister Legacy &#124; LAistRobert(a) Marshall &#124; Interviews from Yale University Radio WYBCXBiographer Turns Detective in Quest for Complete Picture &#124; Biographers International Organization
William Ramsey Interviews Robert(a) Marshall about Castaneda

Robert(a) Marshall on Carlos Castaneda &#124; To The Best of Our Knowledge

Photo courtesy of the Eddie Adams Photographic Archive, 2009-109/33,
The Dolph Briscoe Center for American History, The University of Texas at Austin


A Separate RealityCarroll &#38;amp; Graf, October 2006Lambda Award Nominee for Debut Fiction

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Click to buy on Amazon
Ru Marshall’s novel A Separate Reality is set in Phoenix in the early seventies. Mark Grosfeld is a lonely, effeminate twelve year old whose parents are politically active liberal Jews. Mark meets Anna Voigt, a teacher who becomes his mentor. Anna, an ex-hippie poet, encourages Mark to write, and he becomes part of a circle of teenagers who smoke pot and meet at Anna’s house for poetry readings. She introduces him to the Beats, Zen Buddhism and the popular seventies pseudo- anthropologist, Carlos Castaneda, author of A Separate Reality. Mark goes on a semi-comic suburban vision quest, trying to conduct his life according to the teachings he uncovers in the books he finds through Anna. While his search progresses, the tensions in his family rise and Mark’s quest starts to take a strange and unexpected turn.Marshall’s novel is a portrait of the artist as a young man in the seventies. It’s a novel about Jews in the sun-belt diaspora, sprinklers on dead grass, and the smell of creosote in the desert at night. It’s a story of rattle snakes and the death rattle of the sixties. It’s about Watergate and the history of the left from the Rosenbergs to McGovern. A Separate Reality is also a novel about grief and memory and the complex boundaries of self in a family. Most importantly, A Separate Reality is the story of a counter-cultural crisis of faith and the risks of the desire to be perfect.
“Marshall has a wonderful way of getting at truths… as good an encapsulation of adolescence as you’re likely to read.”David Levithan, The Washington Post
“This quietly intelligent debut novel about one lonely, creative adolescent’s search for identity amid the indignities of middle-school life is precisely what most literary novels I’ve read this year are not: as deeply sincere as it is ironic. There are no clever turns of phrase here, nothing sardonic. Marshall’s is a gentle, but progressively urgent interweaving of idea and emotion that, in its exquisite loyalty to the rhythms and patterns of thought, lays bare the contact of the conscious mind with the unconscious one; the tension between the real and the unreal. . . . Like Holden Caufield and adolescent narrators everywhere, Mark is painfully aware of falsity, but in Marshall’s hands, this awareness is elevated to the level of a philosophical inquiry.”Debra Liese, The Literary ReviewRead more…
“Describing the plot of this book does not do it justice, and maybe that is true of any terrific novel. It is about growing up gay and Jewish in a middle class family in the seventies. The whole book is rather calm, it calmly renders an era with a Proustian leisure, yet it is also a page turner. The delectation of an exquisite banality, the slow earnest longing that has not quite found its proper object, the humid passions and blindspots of the nuclear unit, the young fag as poet, as perfectionist, whose sensibility and aspirations are pitched so high–I experienced wave after wave of recognition.” &#38;nbsp;&#38;nbsp; Robert Gluck, author of Jack the Modernist
“Robert(a) Marshall’s unique voice, wry intelligence, sly humor, and genuine understanding of the family romance infuse his first novel. A Separate Reality beautifully depicts the poignant and bizarre condition called adolescence. It’s a wonderful, imaginative work.” &#38;nbsp;&#38;nbsp; Lynne Tillman, author of No Lease on Life
“A steady-handed portrayal of growing up weird in ’70s suburbia.”
Timeout.com
“A gentle dream of a novel, precise and careful, about the end of childhood. Robert(a) Marshall takes us deep into the life of a precocious twelve-year-old boy in Arizona in the 1970s. Reading this book was just like being twelve again, with all its confusing complications. A very original, serious, heartfelt piece of work.”
Christopher Bram, author of Gods and Monsters
“Robert Marshall casts a spell with his translucent prose and his startling powers of perception. With sensitivity, candor, and disarming humor, he offers a fresh look at the making of an artist. A Separate Reality evokes all the doubts and indignities of adolescence, as well as the deep ambivalence of belonging to an intellectual family. Balanced gracefully between the everyday and the mystical, this novel achieves a transcendence of its own.”
Sarah Bynum, author of Madeleine is Sleeping
“A beautifully understated and evocative rendering of what it feels like to grow up as a ‘misfit.’I loved the prose’s fidelity to thought’s careening process.&#38;nbsp; Robert(a) Marshall’s closeups of youthful sadness and elation, like Truffaut’s or Bresson’s or Solondz’s, have a bitter, alienated clarity.”
Wayne Koestenbaum, author of The Queen’s Throat
“Robert(a) Marshall’s wry, delicate prose rejects every cliche about boyhood, in search of fresh insights about family, the suburban West, childhood longing, and consciousness itself.”
Clifford Chase, author of Winkie
“Marshall conveys a photorealist snapshot of consciousness that had me wincing in self-recognition.”
Paul Russell, Lambda Book Report
“Anyone who’s made even a cursory examination of websites like MySpace or LiveJournal could be forgiven for thinking that the mind of a teenager is not a place anyone would want to spend a lot of time. A Separate Reality will take you past that skepticism into the psyche of Mark, and remind you of when you were younger and everything was vivid and raw. Like all teens, young Mark desperately wants to both carve out his own identity, and to fit in. What makes his story so interesting is that he is not just looking for his purpose in his school’s pecking order; he’s looking for his purpose in life, the meaning of life. He tries out philosophies like other kids try out peer groups, struggling to make sense of Judaism, Taoism and Buddhism and, of course, the works of Carlos Castaneda . . . There’s gentle humor in the treatment of his vague but intense desire to transcend the mundane. Mark is as intelligent as he is creative and spiritual, and his observations of the world around him are razor sharp, painting an intriguing picture of the dynamics of his family life — at once specific and universal — that is as fascinating as his inner life.”
Brian Jewell, Bay Windows
“an engaging coming-of-age story”
Bay Area Reporter
“Defining self, coming to terms with roles, negotiating difference, are the themes that Marshall plays out with arresting honesty and restraint. What he has created is a compelling look into what it means to be different at a time in most young people’s lives when they just want to be the same, providing helpful insights into how children and families confront these issues and construct their own realities.”
Vicki Cabot, Greater Phoenix Jewish News
“A remarkably vivid writer”
The Orlando Sentinel
“Uncannily self-aware”
C. Murphy Hebert, Phoenix New Times
“A first-rate portrait of adolescence with all its storm and stress”
Morton Teicher, Jewish Post and Opinion
	


ru marshall

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Photo credit: Nan Ring


Writing bio

Some Essays and Stories
Homefront: Notes on Gaza, Language, Family, and the Art World

The House

Mrs. Marshall and the Shades

Life Stories
Prussian Blue
Do the Math
Limbo
The Candy
Breaking News

AWP



Matt
Topic: Death by Antonio dal Masetto (translation)



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	Writing Bio
Publications
Biography:
American Trickster: The Hidden Lives of Carlos Castaneda, OR Books, 2026

Novel:A Separate Reality, Carroll &#38;amp; Graf, 2006

Prose and Poetry:"Homefront: Notes on Gaza, Language, Family, and the Artworld" Evergreen Review,&#38;nbsp;October 2024
"Mrs. Marshall and the Shades" Barcelona Review, Fall 2022
“Life Stories” Your Impossible Voice, Fall 2021
“Prussian Blue” Evergreen Review, Summer 2021
“Do the Math” Exquisite Pandemic, Summer 2021
“The House” Barcelona Review, September 2021“The Candy” N + 1 Online,&#38;nbsp;August 2020“Breaking News” Another Chicago Magazine, August 2020“Limbo” Evergreen Review,&#38;nbsp;July 2020“Lines Written in Dejection August 24, 2019” Little Rose Magazine, September 2019“A Lunch of Victims” Free State Review,&#38;nbsp;Fall 2019“A Florida Boy” Across the Margin, July 2019“AWP” Kenyon Review Online, February 2019“The Riviera” Confrontation,&#38;nbsp;Spring 2018“Washington Square” Crack The Spine“Horses” KGB Bar Lit, September 2016“Three Stories by Antonio dal Masetto” (Translations) Waxwing,&#38;nbsp;June 2015“My Bad” Eclectica, April/May 2015“Hysterical” Ping Pong Journal,&#38;nbsp;Fall 2014“Special Baby” Diverse Voices Quarterly Fall, 2013“More or Less About Rachel” Crack the Spine, June 2013“Matt” Blue Lake Review, May 2013“Irvine” Michigan Quarterly Review, Summer 2012“Ulrike at Apple” Apt, Summer 2012“The March” Foliated Oak, Spring 2012“Departure” Foliated Oak, Spring 2012“An Abstract Narrative of a Conflict in France” Alembic, Spring 2012“Prediction” Stickman Review, Winter 2012“Passages” Ducts, Winter 2012“Objectivity in Brooklyn” Ducts, Winter 2012“Case Study” Coe Review, Spring 2011“The Dark Legacy of Carlos Castaneda” Salon, April 12, 2007“Skip” KGBbar.com, February 2007“Picture” Event, December 2006“The Whippersnappers” Event, December 2006“The Writers” Euphony, Winter 2005“A Separate Reality” Blithe House Quarterly, January 2004“Diary of a Smurf” Afterwords; edited by Kevin Bentley; Alyson Books; December 2001“Notes on Camp” Queer 13: Lesbian and Gay Writers Recall Seventh Grade; edited by Clifford Chase; Rob Weisbach Books; 1998

Criticism:"The Question is Open: A Conversation with Eugene Lim" Another Chicago Magazine,&#38;nbsp;July 2023
“Cult Fiction” Public Books, August 2013“City Boy by Edmund White” Lambda Literary Review, Fall 2009“King of Shadows by Aaron Shurin” Lambda Literary Review, Fall 2008“Mother of Sorrows by Richard McCann” New York Press, June 1, 2005“Summer Picks” New York Press, May 18, 2005“Barbara Pollack’s Dance Party: An Interview with Max Berger,” PAJ: A Journal of Performance and Art; Fall 2003“Stay in Place: Three Landscape Painters,” ArtNet; March 2002“Neil Goldberg” PAJ: A Journal of Performance and Art; Spring 2001“Peter Krashes: Momenta, Salon 300; Brooklyn, New York” Zingmagazine, Vol. 3; Winter 2000“Memory Sculpture: Oliver Herring” Artnet; June 1998“Chelsea Summer: Tracey Moffatt, Uta Barth, Inez van Lamsweerde and Rineke Djikstra” PAJ: A Journal of Performance and Art; September 1998“Amy Adler, Lucky DeBellevue, Anthony Viti” Zingmagazine, Vol. 2; Summer 1998“Rolling the R’s: Book Review” Zingmagazine, Vol. 2; Summer 1998“American Homes and Travelers: Elana Herzog, Peter Garfield, James Hill and Randy Wray”Artnet; May 1998“Mortal Beauty: Hunter Reynolds” Artnet; September 1997

Fellowships and AwardsYaddo, Spring 2017Hazel Rowley Prize, BIO (Biographers International Organization), 2016Yaddo, Winter 2012Winner, The Prize Project, Bloomsburg University, Bloomsburg PennsylvaniaVirginia Center for the Creative Arts, Summer 2011Ragdale, Summer 2010Yaddo, Summer 2010Yaddo, Spring 2008Nominee, Lambda Literary Award for Debut Fiction, 2007Nominee, Edmund White Award for Debut Fiction, 2007Best of Salon, 2007New York Foundation for the Arts, 2005Virginia Center for the Creative Arts, Spring 2005MacDowell Colony, Winter 2004Yaddo, Spring 2003MacDowell Colony, Spring 2002Milton and Sally Avery Fellowship, 2002Director, Writers at the Alliance, a reading series at the Educational Alliance, 2005 to 2006Director of the Prose in General reading series at Art in General, 2000 to 2003

Visual Arts (selected)Drawings and paintings exhibited at Baxter Street at Camera Club of New York, Richard Andersen Fine Arts, Caren Golden Gallery, Brooklyn Museum, Art in General, White Columns, Thread Waxing Space, New Orleans Contemporary Arts Center, Peter Kilchmann Gallery and at exhibitions throughout the United States, South America and Europe.



	ru marshall

&#60;img width="750" height="1334" width_o="750" height_o="1334" data-src="https://freight.cargo.site/t/original/i/bc834af825956fcc795e79f346afed9033b22d71cda41cdacafd4a33b6c40050/Ra.png" data-mid="118534568" border="0" data-scale="65" data-no-zoom src="https://freight.cargo.site/w/750/i/bc834af825956fcc795e79f346afed9033b22d71cda41cdacafd4a33b6c40050/Ra.png" /&#62;
Photo credit: Nan Ring


Writing bio

Some Essays and Stories
Homefront: Notes on Gaza, Language, Family, and the Art World

The House

Mrs. Marshall and the Shades

Life Stories
Prussian Blue
Do the Math
Limbo
The Candy
Breaking News

AWP



Matt
Topic: Death by Antonio dal Masetto (translation)


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		<title>Debra Liese - Literary review</title>
				
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		<pubDate>Tue, 27 Dec 2022 12:12:44 +0000</pubDate>

		<dc:creator>Ru Marshall</dc:creator>

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	The Literary ReviewWinter 2006Ru MarshallA Separate Reality: A NovelNew York: Caroll &#38;amp; Graf, 2006
A Separate Reality, which shares a title with one of 1970s guru-"Anthropologist" Carlos Castaneda's most popular works, opens with an old quote from the The New York Times Book Review vouching for Castaneda's contribution. The irony-and not one lost on Marshall-is that Castaneda was, in the end, a fraud-albeit a fraud that made visible for spiritual searchers the world over an alternate reality that was more real, or at least more resonant, than the world they lived in.In an interview for his publisher, Robert Marshall figured it was unlikely that The New York Times was going to review his book. Yet his quietly intelligent debut novel about one lonely, creative adolescent's search for identity amid the indignities of middle-school life is precisely what most literary novels I've read this year are not: as deeply sincere as it is ironic. There are no clever turns of phrase here, nothing sardonic. Marshall's is a gentle, but progressively urgent interweaving of idea and emotion that, in its exquisite loyalty to the rhythms and patterns of thought, lays bare the contact of the conscious mind with the unconscious one; the tension between the real and the unreal. "The voice they think is mine isn't," he writes, in the inner voice of the young protagonist. "The one I hear mumbles fragments, slips in time. A shadow voice. When I use the voice they expect, everything's lost."An effeminate twelve year old growing up in a liberal, Jewish, politically active family in 1970s Arizona, the narrator, Mark Grosfeld is a believer who is unsure what to believe in. He's drawn to mystery, but he doesn't quite know where to find it-Judaism is solid, but too rational, his father's liberal ideals admirable, but lacking in spiritual contours; his therapist well-intentioned, but brain-dead. And his friend Bruce, possibly gay, and seemingly more thoughtful than his other fratty peers, also happens to be possessed of an awkward violence that makes him a social liability. Like Holden Caufield and adolescent narrators everywhere, Mark is painfully aware of falsity, but in Marshall's hands, this awareness is elevated to the level of a philosophical inquiry: "Their conversation. . . never goes anywhere new. All false-but how can I prove this-with which word or phrase?"Anna, Mark's beloved seventh grade art teacher, an ex-hippie with issues of her own, throws him a lifeline when she discovers his talent for writing, brings him into an eclectic literary circle, hands him a blunt, and forges a bond with him that hints-beautifully-at erotic. In between dreamy conversations about her own floundering love life and artistic false starts, she introduces him to Buddhism, Taoism, and Castaneda. The story is shot through with Mark's quest for "transcendence"-poignant in its false promise of perfect isolation from the world alongside perfect engagement with it. But while the quest offers a kind of refuge for Mark, it isn't enough to stave off his anxiety about who to sit with in the cafeteria. Loneliness pervades the story without overpowering it; Marshall's narrative is poised between the social world and the internal one, testing the boundaries, showing where they are most distinct and when they start to blur, touching the elusiveness of meaningful engagement with other people:What's anyone like? There's no way to know and then you die. You spend your whole life thinking maybe you're starting to understand people and maybe you're finding out who they really are….Collecting little moments of truth. Pebbles on the beach. You think you're getting somewhere, even though you know, really, that you aren't.Mark is an outsider not only because he's gay and socially awkward, but also because of the kind of writer he is. Burdened and exhilarated by the peculiar belief that he must perfect his mind to perfect his writing, and perfect his writing to perfect his mind, he is headed, with dutiful rigor, for a spectacular obsessive-compulsive wipeout (a decade before the syndrome came into vogue). He is, after all, a seventh grader beset by the typical mire of social and emotional clutter: with timeless scorn, his peers mock his clothing, his lack of athletic ability, his sexual inexperience; they draw him into cheesy conversations; into petty cruelties. All of this gives way to spiritual and creative crisis: "I can't stop thinking about not thinking." Without a perfect mind, he worries, he cannot write the perfect poem.Mark doesn't write the perfect poem. He comes close: he places second in a statewide contest, but after spending most of his thirteenth year composing an epic piece titled, "The Year of Dead Birds"-he is forced to realize that his efforts "sound cool", but are all but incomprehensible to his poetry group, and even Anna. "I tried to write about [my sister] Sharon, he says. "But it hadn't worked. It was still just her from the outside….The words I'd read meant nothing."Marshall writes just about perfectly about writing imperfectly. As much as this is a book about isolation, or gay-coming-of-age, or the seventies, this is a book about writing, about coming close, the mountain-peak highs of finding the right words, and the gathering dread of inarticulateness: "The thing I'm most afraid of," says Mark, "-dying trying to finish a series of thoughts." Marshall is a writer's writer. But his prose stands in shimmering contrast to the predominant meta-fiction of our generation that seems to shout 'look at me!' Like the abstract expressionists Mark discusses with Anna, Marshall's prose seems want to disappear inside itself. What goes on internally is what matters, it says, not what ends up on a piece of paper.And of course, he's right. For all the importance given to ideas, to art, to getting it "right", the resounding note of A Separate Reality is that human connection is vital, in all its unevenness, in all its imperfections, and perhaps most importantly, in all its mutations. Mark observes of his peers: "People changed; you couldn't see it happening. It happened somewhere else, somewhere invisible." In the complicated and rapidly transforming psyche of youth, relationships are vulnerable entities. Mark is changing. He sees holes in Anna's once-luminous theories, he drifts from Bruce, moves to a new school; he accepts that his deep attachment to his mother cannot possibly last. Yet amid all this shifting, amid his fear of imperfection, he doesn't discard anyone-he folds the relationships into himself, where they are reborn again and again as thoughts, feelings, images.Towards the end of the novel, Mark lounges on the phone talking to Anna, who has, he notes without judgment, "started to repeat herself," and finds his eyes drawn to his mother's neatly catalogued collection of family photographs: "Maybe her idea of closeness is a dream, but maybe it's a dream that makes itself true. Maybe we need the pictures. Without them, the void, the dark atom-wind coming from the desert."
---Debra Liese
	
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	</item>
		
		
	<item>
		<title>Contact</title>
				
		<link>https://rmarshallstudio.com/Contact</link>

		<pubDate>Wed, 08 Sep 2021 22:14:46 +0000</pubDate>

		<dc:creator>Ru Marshall</dc:creator>

		<guid isPermaLink="true">https://rmarshallstudio.com/Contact</guid>

		<description>
	
For inquiries, contact:


Film/Television Rights
Judy Farkas
jgfarkas@mac.com

Literary
Malaga Baldi
baldibooks.com
Other Inquiries
robtmars@aol.com
	ru marshall

&#60;img width="750" height="1334" width_o="750" height_o="1334" data-src="https://freight.cargo.site/t/original/i/bc834af825956fcc795e79f346afed9033b22d71cda41cdacafd4a33b6c40050/Ra.png" data-mid="118412355" border="0" data-scale="65" data-no-zoom src="https://freight.cargo.site/w/750/i/bc834af825956fcc795e79f346afed9033b22d71cda41cdacafd4a33b6c40050/Ra.png" /&#62;
Photo credit: Nan Ring


Writing bio

Some Stories


Limbo
The Candy
Breaking News

The Dark Legacy of Carlos Castaneda
AWP
A Florida Boy
My Bad
Passages
Objectivity in Brooklyn
Matt
Topic: Death by Antonio dal Masetto (translation)
Prussian Blue
</description>
		
	</item>
		
		
	<item>
		<title>Art</title>
				
		<link>https://rmarshallstudio.com/Art</link>

		<pubDate>Fri, 10 Sep 2021 10:55:36 +0000</pubDate>

		<dc:creator>Ru Marshall</dc:creator>

		<guid isPermaLink="true">https://rmarshallstudio.com/Art</guid>

		<description>
	


	
&#60;img width="1551" height="2000" width_o="1551" height_o="2000" data-src="https://freight.cargo.site/t/original/i/59ab08de1739158bc1b937142b4d8910c0b5dfdcc5fed9fde9cbc3e461b5290e/1.-The-Deli-Flowers-on-Flatbush-1--45-x-36--Acrylic-and-UV-Curable-Ink-on-Mirrored-Dibond.jpg" data-mid="225790357" border="0" alt="The Deli Flowers on Flatbush 1; 45 x 36; Acrylic and UV Curable Ink on Mirrored Dibond" data-caption="The Deli Flowers on Flatbush 1; 45 x 36; Acrylic and UV Curable Ink on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/59ab08de1739158bc1b937142b4d8910c0b5dfdcc5fed9fde9cbc3e461b5290e/1.-The-Deli-Flowers-on-Flatbush-1--45-x-36--Acrylic-and-UV-Curable-Ink-on-Mirrored-Dibond.jpg" /&#62;

Flowers and Dancers
Catalog2025

BARDO ROADCatalogParticipant Inc. 2021
IN PASSINGCatalogBaxter Street@CCNY
Art bio








</description>
		
	</item>
		
		
	<item>
		<title>Art bio</title>
				
		<link>https://rmarshallstudio.com/Art-bio</link>

		<pubDate>Fri, 10 Sep 2021 11:39:14 +0000</pubDate>

		<dc:creator>Ru Marshall</dc:creator>

		<guid isPermaLink="true">https://rmarshallstudio.com/Art-bio</guid>

		<description>
	
	Art Bio


Solo Exhibitions:

“Transpacific”Jennifer Baahng Gallery, Seoul, Korea, Fall, 2024
“Bardo Road” Participant Inc., May, 2021“Passing Through” Studio 10 Gallery, November, 2017“In Passing” Baxter Street, April, 2016“Solo Exhibition” Richard Anderson Fine Arts, September, 1998

Selected Exhibitions:
"Disquiet" Ghostmachine (curated by David Dixon), NYC, NY, January 2025
“Currents” Morris Adjmi, NYC, NY, December 2024“A Picnic State of Mind” Tutu Gallery. NYC, NY, August 2024

“Facts of Light” Cathouse Proper, NYC, NY, November 2021
“Social Photography III” Carriage Trade Gallery, NYC, NY, December 2013“Rising Waters: Photographs of Hurricane Sandy” Governor’s Island, NY, September 2013“Social Photography II” Carriage Trade Gallery, NYC, NY, December 2011“NeoIntegrity” Derek Eller Gallery, NYC, NY July 2007“Project Diversity” Magnolia Center, Brooklyn, NY, April 2005“Fancy That” Hewett Gallery of Art, Marymount Manhattan College, NYC, NY, October 2004“draw _drawing” Gallery 32, London, UK, August 2004“Waldsee 1944” 2B Gallery, Budapest, Hungary, May 2004“Alumni Show” Wesleyan University, Middletown, CT, November 2003“Drawing Conclusions” New York Arts, NYC, NY, July 2003“Protest Signs” Triple Candie, NYC, NY, June 2003“Chelsea Rising” Contemporary Arts Center, New Orleans, Louisiana March 2001“Living is Easy” Richard Anderson Fine Arts, NYC, NY, June 2000“Mr. Fascination” Thread Waxing Space, NYC, NY, December 1999“Three Suitcases” Art and Idea, Mexico City, Mexico, April 1999“Spaceship Earth” Art in General, NYC, NY, January 1999“Friends and Neighbors” Three Day Weekend, Los Angeles, CA, January 1999“Open Space” John Tevis Project Space, Long Island City NY, March 1998“Current Undercurrent” Brooklyn Museum, July 1997“Summer Invitational ” Steffany Martz Gallery, NYC, NY, July 1997“What a Wonderful World” Unfinished, Brooklyn NY April, 1997“Road Show ’97” Bronwyn Keenan Gallery, NYC, NY, February 1997“ARC Benefit Exhibition” Leo Castelli Gallery, NYC, NY, January 1996“Mother and Child Reunion” Caren Golden Gallery, NYC, NY, June 1995“Faggots, A Communique from North America” curated by Bill Arning, Centro Cultural RicardoRojas. Universidad de Buenos Aires, Argentina, May 1995“Group Show” Peter Kilchmann Galerie, Zurich, Switzerland, January 1995“Sentimental Education” The Other Side Gallery, Memphis, TN, December 1994“Exquisite Corpse” Drawing Center, NYC, NY, November 1993“Queering Family Values” curated by Robert Atkins, Maryland Art Place, Baltimore, MD, May 1993“The Animal in Me” Amy Lipton Gallery, NYC, NY February 1993“The Gift” Dooley Le Cappellaine Gallery, NYC, NY November 1992“Man Alive” Dooley Le Cappellaine Gallery NYC, NY October 1992“We Interrupt Your Regularly Scheduled Programming” White Columns, NYC, NY January 1992“A Paper Trail” Berland/Hall Gallery, NYC, NY, January 1992“Public Spaces, Private Thoughts” P.S. 122 Gallery, NYC, NY June 1991“Auction for Action Preview Exhibition” Paula Cooper Gallery Annex, NYC, NY December 1990“Queer” Wessel O’Connor Gallery, NYC, NY September 1990Curatorial Projects“Facts of Light” Cathouse Proper, NYC NY, November 2021

Selected Awards and Fellowships

Virginia Center for the Creative Arts, Summer 2019Banff Centre Summer 2017Yaddo Winter 2017Virginia Center for the Creative Arts Summer 2015Yaddo 2012Yaddo Summer 2010Ragdale Summer 2010Virginia Center for the Creative Arts 2009New York Foundation for the Arts, 2005Virginia Center for the Creative Arts, Spring 2005MacDowell Colony, Winter 2004Yaddo, Spring 2003MacDowell Colony, Spring 2002Milton and Sally Avery Fellowship, 2002
</description>
		
	</item>
		
		
	<item>
		<title>2023/2024</title>
				
		<link>https://rmarshallstudio.com/2023-2024</link>

		<pubDate>Wed, 29 Jan 2025 16:48:52 +0000</pubDate>

		<dc:creator>Ru Marshall</dc:creator>

		<guid isPermaLink="true">https://rmarshallstudio.com/2023-2024</guid>

		<description>
	
	2023/2024

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&#60;img width="1080" height="1077" width_o="1080" height_o="1077" data-src="https://freight.cargo.site/t/original/i/31a0716a296e047dc1b4c728557b781af8eefd6b8423a6412d18bf970c00589c/16.-The-Deli-Flowers-at-Night--42.5-x-45--Acrylic-and-UV-Curable-In-k-on-Mirrored-DIbond-42.5-x-45-2024.jpg" data-mid="225723267" border="0" alt="The Deli Flowers at Night; 42.5 x 45; Acrylic and UV Curable In k on Mirrored Dibond" data-caption="The Deli Flowers at Night; 42.5 x 45; Acrylic and UV Curable In k on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/31a0716a296e047dc1b4c728557b781af8eefd6b8423a6412d18bf970c00589c/16.-The-Deli-Flowers-at-Night--42.5-x-45--Acrylic-and-UV-Curable-In-k-on-Mirrored-DIbond-42.5-x-45-2024.jpg" /&#62;
&#60;img width="1614" height="2000" width_o="1614" height_o="2000" data-src="https://freight.cargo.site/t/original/i/80905a367da86d0ce2f73d47e26e31a40e5e71ae1f6d181c41a2316a1a45298c/17.-Always-sits-to-pee-20-x-15--acrylic--glitter--and-UV-curable-ink-on-silver-fabric.jpg" data-mid="225723268" border="0" alt="Always sits to pee; 20 x 15; Acrylic, glitter, and UV curable ink on silver fabric" data-caption="Always sits to pee; 20 x 15; Acrylic, glitter, and UV curable ink on silver fabric" src="https://freight.cargo.site/w/1000/i/80905a367da86d0ce2f73d47e26e31a40e5e71ae1f6d181c41a2316a1a45298c/17.-Always-sits-to-pee-20-x-15--acrylic--glitter--and-UV-curable-ink-on-silver-fabric.jpg" /&#62;
&#60;img width="1632" height="2000" width_o="1632" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6b2d6a1a34ee8dc439d2f97724fd06c48e710854b5482fcb8be694e52a2efbaa/18.-The-Deli-Flowers-on-Flatbush-6--47-x-36---UV-curable-Ink--acrylic-and-Chrome-marker-on-Chrome-treated-fabric-.jpg" data-mid="225723269" border="0" alt="The Deli Flowers on Flatbush 6; 47 x 36;  UV curable Ink, acrylic and Chrome marker on Chrome treated fabric" data-caption="The Deli Flowers on Flatbush 6; 47 x 36;  UV curable Ink, acrylic and Chrome marker on Chrome treated fabric" src="https://freight.cargo.site/w/1000/i/6b2d6a1a34ee8dc439d2f97724fd06c48e710854b5482fcb8be694e52a2efbaa/18.-The-Deli-Flowers-on-Flatbush-6--47-x-36---UV-curable-Ink--acrylic-and-Chrome-marker-on-Chrome-treated-fabric-.jpg" /&#62;
&#60;img width="1573" height="2000" width_o="1573" height_o="2000" data-src="https://freight.cargo.site/t/original/i/dd261938f761e45bc90f66ba0f078cfb60586a61d6c2bdf006ad4a9d97d32f41/19.-Interlope-4--64-x-48--UV-Curable-Ink-on-Mirrored-Dibond.jpg" data-mid="225723270" border="0" alt="Interlope 4; 64 x 48; UV Curable Ink on Mirrored Dibond" data-caption="Interlope 4; 64 x 48; UV Curable Ink on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/dd261938f761e45bc90f66ba0f078cfb60586a61d6c2bdf006ad4a9d97d32f41/19.-Interlope-4--64-x-48--UV-Curable-Ink-on-Mirrored-Dibond.jpg" /&#62;
&#60;img width="1526" height="2000" width_o="1526" height_o="2000" data-src="https://freight.cargo.site/t/original/i/99aa1ccd80b9bbb07588f33011a15b2d1624a0f30d7015c7dd0a449508c2d880/20.-The-Deli-Flowers-on-Fourth-Avenue-2--Acrylic-and-UV-Curable-Ink-on-Mirrored-Dibond-20-x-15.jpg" data-mid="225723271" border="0" alt="The Deli Flowers on Fourth Avenue 2; 64 x 48; Acrylic and UV Curable Ink on Mirrored Dibond" data-caption="The Deli Flowers on Fourth Avenue 2; 64 x 48; Acrylic and UV Curable Ink on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/99aa1ccd80b9bbb07588f33011a15b2d1624a0f30d7015c7dd0a449508c2d880/20.-The-Deli-Flowers-on-Fourth-Avenue-2--Acrylic-and-UV-Curable-Ink-on-Mirrored-Dibond-20-x-15.jpg" /&#62;
&#60;img width="1654" height="2000" width_o="1654" height_o="2000" data-src="https://freight.cargo.site/t/original/i/322fd689888e419f89182ba051e35bb9ea778fe40425c921e7ec100c04c8f9db/21.-Rainflowers-4--UV-Curable-Ink-on-Mirrored-Dibond-check-sixe-large-one.jpg" data-mid="225723272" border="0" alt="Rainflowers 4; 48 x 36; UV Curable Ink on Mirrored Dibond" data-caption="Rainflowers 4; 48 x 36; UV Curable Ink on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/322fd689888e419f89182ba051e35bb9ea778fe40425c921e7ec100c04c8f9db/21.-Rainflowers-4--UV-Curable-Ink-on-Mirrored-Dibond-check-sixe-large-one.jpg" /&#62;
&#60;img width="1584" height="2000" width_o="1584" height_o="2000" data-src="https://freight.cargo.site/t/original/i/da3efb604ac4aef064f60e59dea35b35ec8db337680246dc58f5be22cae0340b/22.-Deli-Flowers-on-Lorimer--20-x-15---Acrylic-and-UV-Curable-Ink-on-Chromed-Fabric.jpg" data-mid="225723273" border="0" alt="Deli Flowers on Lorimer; 20 x 15;  Acrylic and UV Curable Ink on Chromed Fabric" data-caption="Deli Flowers on Lorimer; 20 x 15;  Acrylic and UV Curable Ink on Chromed Fabric" src="https://freight.cargo.site/w/1000/i/da3efb604ac4aef064f60e59dea35b35ec8db337680246dc58f5be22cae0340b/22.-Deli-Flowers-on-Lorimer--20-x-15---Acrylic-and-UV-Curable-Ink-on-Chromed-Fabric.jpg" /&#62;
&#60;img width="1576" height="2000" width_o="1576" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ce0570c2dc2cc9e57de76b35a495b9b3e14147e3062ce8ba1ec871e321215ac1/23.-Rose-Dancers--20-x-15---Acrylic--UV-Curable-Ink-and-Glitter-on-Mirrored-DIbond-20-x-15.jpg" data-mid="225723274" border="0" alt="Rose Dancers; 20 x 15;  Acrylic, UV Curable Ink and Glitter on Mirrored DIbond" data-caption="Rose Dancers; 20 x 15;  Acrylic, UV Curable Ink and Glitter on Mirrored DIbond" src="https://freight.cargo.site/w/1000/i/ce0570c2dc2cc9e57de76b35a495b9b3e14147e3062ce8ba1ec871e321215ac1/23.-Rose-Dancers--20-x-15---Acrylic--UV-Curable-Ink-and-Glitter-on-Mirrored-DIbond-20-x-15.jpg" /&#62;
&#60;img width="1583" height="2000" width_o="1583" height_o="2000" data-src="https://freight.cargo.site/t/original/i/108db38d70a44032e61e177745925075caf02c941009507fb63ddd642364ecd3/24.-White-Flowers--20-x-15--Acrylic-and-UV-Curable-Ink-on-Mirrored-DIbond-20-x-15.jpg" data-mid="225723275" border="0" alt="White Flowers; 20 x 15; Acrylic and UV Curable Ink on Mirrored DIbond" data-caption="White Flowers; 20 x 15; Acrylic and UV Curable Ink on Mirrored DIbond" src="https://freight.cargo.site/w/1000/i/108db38d70a44032e61e177745925075caf02c941009507fb63ddd642364ecd3/24.-White-Flowers--20-x-15--Acrylic-and-UV-Curable-Ink-on-Mirrored-DIbond-20-x-15.jpg" /&#62;
&#60;img width="1507" height="2000" width_o="1507" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f27036f471a8feb58b71891f83caf9a2444c8f369fddd6e202cbc99d422de682/25.-Special--20-x-15--Acrylic-and-UV-Curable-Ink-on-Mirrored-Dibond--20-x-15.jpg" data-mid="225723276" border="0" alt="Special; 20 x 15; Acrylic and UV Curable Ink on Mirrored Dibond" data-caption="Special; 20 x 15; Acrylic and UV Curable Ink on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/f27036f471a8feb58b71891f83caf9a2444c8f369fddd6e202cbc99d422de682/25.-Special--20-x-15--Acrylic-and-UV-Curable-Ink-on-Mirrored-Dibond--20-x-15.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>2022</title>
				
		<link>https://rmarshallstudio.com/2022</link>

		<pubDate>Tue, 21 Feb 2023 11:10:20 +0000</pubDate>

		<dc:creator>Ru Marshall</dc:creator>

		<guid isPermaLink="true">https://rmarshallstudio.com/2022</guid>

		<description>
	
	2022

&#60;img width="3001" height="3925" width_o="3001" height_o="3925" data-src="https://freight.cargo.site/t/original/i/ef2ec5b2d364d790ed0662988c71d212d8056121017fce55a667d3f1a8a9eee9/Backyard--UV-Curable-Ink-on-Dibond-48-x-36.jpg" data-mid="169155252" border="0" alt="Backyard, 48 x 36. Acrylic and UV Curable Ink on Dibond" data-caption="Backyard, 48 x 36. Acrylic and UV Curable Ink on Dibond" src="https://freight.cargo.site/w/1000/i/ef2ec5b2d364d790ed0662988c71d212d8056121017fce55a667d3f1a8a9eee9/Backyard--UV-Curable-Ink-on-Dibond-48-x-36.jpg" /&#62;
&#60;img width="2798" height="3518" width_o="2798" height_o="3518" data-src="https://freight.cargo.site/t/original/i/1f2adae5dc4cb40ce45838246c9616c71e129743c92c960a01af0854465cb0fa/Window-Screen--Acrylic--Glitter--and-UV-Curable-Ink-on-Dibond-24-x-18.jpg" data-mid="169155600" border="0" alt="Window Screen, 24 x 18. Acrylic, Glitter, and UV Curable Ink on Dibond" data-caption="Window Screen, 24 x 18. Acrylic, Glitter, and UV Curable Ink on Dibond" src="https://freight.cargo.site/w/1000/i/1f2adae5dc4cb40ce45838246c9616c71e129743c92c960a01af0854465cb0fa/Window-Screen--Acrylic--Glitter--and-UV-Curable-Ink-on-Dibond-24-x-18.jpg" /&#62;
&#60;img width="1047" height="1471" width_o="1047" height_o="1471" data-src="https://freight.cargo.site/t/original/i/492f1db3f1c89f8e3b0fec86be153f2ecb2a38f77bcbf785132055df96d7dc68/Dragonfly--Acrylic-and-UV-Curable-ink-on-mirrored-Dibond-20-x-11.jpg" data-mid="169161106" border="0" alt="Dragonfly, 20 x 11. Acrylic and UV Curable Ink on Mirrored Dibond" data-caption="Dragonfly, 20 x 11. Acrylic and UV Curable Ink on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/492f1db3f1c89f8e3b0fec86be153f2ecb2a38f77bcbf785132055df96d7dc68/Dragonfly--Acrylic-and-UV-Curable-ink-on-mirrored-Dibond-20-x-11.jpg" /&#62;
&#60;img width="5608" height="6999" width_o="5608" height_o="6999" data-src="https://freight.cargo.site/t/original/i/d32ea1ba7d9cc255a567dc5601d529344bb22a8ba46d06de2e541e122aa75f41/Rain-1--Oil-and-Latex-ink-on-Vinyl--mounted-on-dibond-20-x-15.jpg" data-mid="169156030" border="0" alt="Rain 1, 20 x 15. Oil and Latex Ink on Vinyl, mounted on Dibond" data-caption="Rain 1, 20 x 15. Oil and Latex Ink on Vinyl, mounted on Dibond" src="https://freight.cargo.site/w/1000/i/d32ea1ba7d9cc255a567dc5601d529344bb22a8ba46d06de2e541e122aa75f41/Rain-1--Oil-and-Latex-ink-on-Vinyl--mounted-on-dibond-20-x-15.jpg" /&#62;
&#60;img width="2804" height="3565" width_o="2804" height_o="3565" data-src="https://freight.cargo.site/t/original/i/b9718eda977292a47da4644162dbfafc9079b12f7b3f63ddd7f8a33d774586b9/Car-Window-57--Acrylic-and-UV-Curable-Ink-on-Mirrored-Dibond-14-x-10.5.jpg" data-mid="169156092" border="0" alt="Car Window 57, 14 x 10.5. Acrylic and UV Curable Ink on Mirrored Dibond" data-caption="Car Window 57, 14 x 10.5. Acrylic and UV Curable Ink on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/b9718eda977292a47da4644162dbfafc9079b12f7b3f63ddd7f8a33d774586b9/Car-Window-57--Acrylic-and-UV-Curable-Ink-on-Mirrored-Dibond-14-x-10.5.jpg" /&#62;
&#60;img width="5618" height="8427" width_o="5618" height_o="8427" data-src="https://freight.cargo.site/t/original/i/520a7babac33e2211190346ea3f196be1f329e29e43f4f87fcf868cbf05d5bcc/Door--UV-Curable-Ink-on-Dibond-UV-Curable-Ink-on-Mirrored-Dibond-20-x-9.5.jpg" data-mid="169156147" border="0" alt="Door, 20 x 9.5. UV Curable Ink on Mirrored Dibond" data-caption="Door, 20 x 9.5. UV Curable Ink on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/520a7babac33e2211190346ea3f196be1f329e29e43f4f87fcf868cbf05d5bcc/Door--UV-Curable-Ink-on-Dibond-UV-Curable-Ink-on-Mirrored-Dibond-20-x-9.5.jpg" /&#62;
&#60;img width="1080" height="1405" width_o="1080" height_o="1405" data-src="https://freight.cargo.site/t/original/i/bd3e0f35e6dd594d53cdd2c57078b63872c87fe299c2ff5c93207fce4785d78c/5pm--the-Park--UV-Curable-Ink-on-Dibond-20-x-15.jpg" data-mid="169156211" border="0" alt="5pm, the Park, 20 x 15. UV Curable Ink on Dibond" data-caption="5pm, the Park, 20 x 15. UV Curable Ink on Dibond" src="https://freight.cargo.site/w/1000/i/bd3e0f35e6dd594d53cdd2c57078b63872c87fe299c2ff5c93207fce4785d78c/5pm--the-Park--UV-Curable-Ink-on-Dibond-20-x-15.jpg" /&#62;
&#60;img width="5541" height="6927" width_o="5541" height_o="6927" data-src="https://freight.cargo.site/t/original/i/fde4bc38492a0a7f1df48b3242674978c2ac2ced105d657d979ec6a67eca6922/Rain-2--Oil-and-Latex-ink-on-Vinyl--mounted-on-Dibond-20-x-15.jpg" data-mid="169156288" border="0" alt="Rain 2, 20 x15. Oil and Latex Ink on Vinyl, mounted on Dibond" data-caption="Rain 2, 20 x15. Oil and Latex Ink on Vinyl, mounted on Dibond" src="https://freight.cargo.site/w/1000/i/fde4bc38492a0a7f1df48b3242674978c2ac2ced105d657d979ec6a67eca6922/Rain-2--Oil-and-Latex-ink-on-Vinyl--mounted-on-Dibond-20-x-15.jpg" /&#62;
&#60;img width="5404" height="6657" width_o="5404" height_o="6657" data-src="https://freight.cargo.site/t/original/i/de70a155b5cdf0f77dd286becffe863875deb34aa4e6ff5e6aca327ed01e608e/Roadside-Plants--UV-Curable-Ink-on-Mirrored-Dibond-20-x-15.jpg" data-mid="169156383" border="0" alt="Roadside Plants, 20 x 15. UV Curable Ink on Mirrored Dibond" data-caption="Roadside Plants, 20 x 15. UV Curable Ink on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/de70a155b5cdf0f77dd286becffe863875deb34aa4e6ff5e6aca327ed01e608e/Roadside-Plants--UV-Curable-Ink-on-Mirrored-Dibond-20-x-15.jpg" /&#62;
&#60;img width="6964" height="5270" width_o="6964" height_o="5270" data-src="https://freight.cargo.site/t/original/i/10aa6fd2dd0c4b5e41b0ded4bbc833e152b036eefb2133f4268e1d1ccb2563de/Office-Plants--CDMX--Oil-and-Latex-ink-on-Silver-vinyl--15-x-20.jpg" data-mid="169156438" border="0" alt="Office Plants, CDMX, 15 x 20. Oil and Latex Ink on Silver Vinyl" data-caption="Office Plants, CDMX, 15 x 20. Oil and Latex Ink on Silver Vinyl" src="https://freight.cargo.site/w/1000/i/10aa6fd2dd0c4b5e41b0ded4bbc833e152b036eefb2133f4268e1d1ccb2563de/Office-Plants--CDMX--Oil-and-Latex-ink-on-Silver-vinyl--15-x-20.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4beff04c4d98550c8633d0bc46f32c05fb14a072407e1d5787f335cbf30ba295/Silver-Park--Acrylic-on-Vellum-14-x-11.jpg" data-mid="169156656" border="0" alt="Silver Park, 14 x 11. Acrylic on Vellum" data-caption="Silver Park, 14 x 11. Acrylic on Vellum" src="https://freight.cargo.site/w/1000/i/4beff04c4d98550c8633d0bc46f32c05fb14a072407e1d5787f335cbf30ba295/Silver-Park--Acrylic-on-Vellum-14-x-11.jpg" /&#62;
&#60;img width="5509" height="6759" width_o="5509" height_o="6759" data-src="https://freight.cargo.site/t/original/i/d467af9210a6dc80b0819bb940625068bfa4f6d582cb179cb32b07ff5f5e5260/Roadside-Trees--UV-Curable-Ink-on-Dibond-20-x-15.jpg" data-mid="169156743" border="0" alt="Roadside Trees, 20 x 15. UV Curable Ink on Dibond" data-caption="Roadside Trees, 20 x 15. UV Curable Ink on Dibond" src="https://freight.cargo.site/w/1000/i/d467af9210a6dc80b0819bb940625068bfa4f6d582cb179cb32b07ff5f5e5260/Roadside-Trees--UV-Curable-Ink-on-Dibond-20-x-15.jpg" /&#62;
&#60;img width="2373" height="3000" width_o="2373" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ee91edfe3b5b7bc84f7dcc229cdcb4336e232978a198b1316be9627a2caf7925/Under-Western-Skies--Acrylic-and-Latex-Ink-on-silver-Vinyl--16-x-12.jpg" data-mid="169157819" border="0" alt="Under Western Skies, 16 x 12. Acrylic and Latex Ink on Silver Vinyl" data-caption="Under Western Skies, 16 x 12. Acrylic and Latex Ink on Silver Vinyl" src="https://freight.cargo.site/w/1000/i/ee91edfe3b5b7bc84f7dcc229cdcb4336e232978a198b1316be9627a2caf7925/Under-Western-Skies--Acrylic-and-Latex-Ink-on-silver-Vinyl--16-x-12.jpg" /&#62;
&#60;img width="5731" height="7154" width_o="5731" height_o="7154" data-src="https://freight.cargo.site/t/original/i/012e6692e704a85202aafbcc0b0225e24445eb221017f5818a895cee786f6b7b/Museum-Window--UV-Curable-Ink-on-Mirrored-Dibond-36-x-26.5.jpg" data-mid="169157835" border="0" alt="Museum Window, 36 x 26.5. UV Curable Ink on Mirrored Dibond" data-caption="Museum Window, 36 x 26.5. UV Curable Ink on Mirrored Dibond" src="https://freight.cargo.site/w/1000/i/012e6692e704a85202aafbcc0b0225e24445eb221017f5818a895cee786f6b7b/Museum-Window--UV-Curable-Ink-on-Mirrored-Dibond-36-x-26.5.jpg" /&#62;
&#60;img width="2427" height="3000" width_o="2427" height_o="3000" data-src="https://freight.cargo.site/t/original/i/d26c0308a508f6bd11c26158e02af1ea1ee0c5ee339492c32fb4c0c5cee4c3c0/Night-Ride-Home--Acrylic-and-UV-Curable-Ink-on-Dibond-20-x-15.jpg" data-mid="169157914" border="0" alt="Night Ride Home, 20 x 15. Acrylic and UV Curable Ink on Dibond" data-caption="Night Ride Home, 20 x 15. Acrylic and UV Curable Ink on Dibond" src="https://freight.cargo.site/w/1000/i/d26c0308a508f6bd11c26158e02af1ea1ee0c5ee339492c32fb4c0c5cee4c3c0/Night-Ride-Home--Acrylic-and-UV-Curable-Ink-on-Dibond-20-x-15.jpg" /&#62;
&#60;img width="2690" height="3000" width_o="2690" height_o="3000" data-src="https://freight.cargo.site/t/original/i/4e505b5330ccb1f96f66a3cfb1511ea3d00561b0946b75c7d41b20aa559fddaf/A-Curtain-in-Alberta--Acrylic-and-UV-Curable-ink-on-dibond-20-x-17.jpg" data-mid="169157923" border="0" alt="A Hotel Curtain in Alberta, 20 x 17. Acrylic and UV Curable Ink on Dibond" data-caption="A Hotel Curtain in Alberta, 20 x 17. Acrylic and UV Curable Ink on Dibond" src="https://freight.cargo.site/w/1000/i/4e505b5330ccb1f96f66a3cfb1511ea3d00561b0946b75c7d41b20aa559fddaf/A-Curtain-in-Alberta--Acrylic-and-UV-Curable-ink-on-dibond-20-x-17.jpg" /&#62;
&#60;img width="2495" height="3000" width_o="2495" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ffba19dd1bd489228698e5ff86ce9133beb1fc42d489810a5c3fc7115af1bed5/The-Work-of-Art-in-the-Era-of-Mechanical-Reproduction--Acrylic--litter-and-Latex-ink-on-silver-vinyl--10-x-8.jpg" data-mid="169157963" border="0" alt="The Work of Art in the Era of Mechanical Reproduction, 10 x 8. Acrylic, Latex Ink and Glitter on Silver Vinyl" data-caption="The Work of Art in the Era of Mechanical Reproduction, 10 x 8. Acrylic, Latex Ink and Glitter on Silver Vinyl" src="https://freight.cargo.site/w/1000/i/ffba19dd1bd489228698e5ff86ce9133beb1fc42d489810a5c3fc7115af1bed5/The-Work-of-Art-in-the-Era-of-Mechanical-Reproduction--Acrylic--litter-and-Latex-ink-on-silver-vinyl--10-x-8.jpg" /&#62;
&#60;img width="5590" height="7302" width_o="5590" height_o="7302" data-src="https://freight.cargo.site/t/original/i/c5f52eea86442c0dc45ee976f6c2e1dfc120faff9105b9762ad8a3436bdbd1da/Theory-of-Flight--I-Oil-and-Latex-Ink-on-silver-Vinyl-36-x-26.6.jpg" data-mid="169161331" border="0" alt="Theory of Flight, 35 x 26.6. Oil and Latex Ink on Silver Vinyl" data-caption="Theory of Flight, 35 x 26.6. Oil and Latex Ink on Silver Vinyl" src="https://freight.cargo.site/w/1000/i/c5f52eea86442c0dc45ee976f6c2e1dfc120faff9105b9762ad8a3436bdbd1da/Theory-of-Flight--I-Oil-and-Latex-Ink-on-silver-Vinyl-36-x-26.6.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>2020/2021</title>
				
		<link>https://rmarshallstudio.com/2020-2021</link>

		<pubDate>Fri, 10 Sep 2021 11:02:47 +0000</pubDate>

		<dc:creator>Ru Marshall</dc:creator>

		<guid isPermaLink="true">https://rmarshallstudio.com/2020-2021</guid>

		<description>
	
	2020/2021


&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/412e64facdbd1f2969b3d9ce3d6e6889a0126ec7fb84a7166559a9f2d308b555/2020-2021_Back-to-the-Garden-2.jpeg" data-mid="118529713" border="0" alt="Back to the Garden 2, 23.5 x 42. UV Curable Ink on Mirrored Dibond." data-caption="Back to the Garden 2, 23.5 x 42. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/800/i/412e64facdbd1f2969b3d9ce3d6e6889a0126ec7fb84a7166559a9f2d308b555/2020-2021_Back-to-the-Garden-2.jpeg" /&#62;
&#60;img width="705" height="834" width_o="705" height_o="834" data-src="https://freight.cargo.site/t/original/i/c354b749d1a8e11194a4f01e1d2ca490816215ac0eb86aecdd057ad7752c4224/2020-2021_Double-Self-Portrait-3.jpeg" data-mid="118529716" border="0" alt="Double Self Portrait 3, 21.75 x 19.25. Archival Ink on Slickrock." data-caption="Double Self Portrait 3, 21.75 x 19.25. Archival Ink on Slickrock." src="https://freight.cargo.site/w/705/i/c354b749d1a8e11194a4f01e1d2ca490816215ac0eb86aecdd057ad7752c4224/2020-2021_Double-Self-Portrait-3.jpeg" /&#62;
&#60;img width="734" height="800" width_o="734" height_o="800" data-src="https://freight.cargo.site/t/original/i/73adbd2925259535811b4afd9febc34d59781f22c8702e20877af24c178521f2/2020-2021_Double-Self-Portrait-1.png" data-mid="118529715" border="0" alt="Double Self Portrait 1, 42 x 36. UV Curable Ink on Mirrored Dibond." data-caption="Double Self Portrait 1, 42 x 36. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/734/i/73adbd2925259535811b4afd9febc34d59781f22c8702e20877af24c178521f2/2020-2021_Double-Self-Portrait-1.png" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/42105f93c7b3405b037c2fd1d6b6470f8c5234033ba1bba875d309b9c048a590/2020-2021_LGM-1.jpeg" data-mid="118529718" border="0" alt="LGM, 14 x 21. Archival Ink on Slickrock." data-caption="LGM, 14 x 21. Archival Ink on Slickrock." src="https://freight.cargo.site/w/800/i/42105f93c7b3405b037c2fd1d6b6470f8c5234033ba1bba875d309b9c048a590/2020-2021_LGM-1.jpeg" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/d2b9f9b7f21d31c8ab8fff6f331146f7790b5fe335c1cb29a5263dc934da7f37/2020-2021_Bardo-Road-1-23.5-x-42-UV-Curable-ink-on-Mirrored-Dibond-2021-1.jpg" data-mid="118529714" border="0" alt="Bardo Road 1, 23.5 x 42. UV Curable Ink on Mirrored Dibond." data-caption="Bardo Road 1, 23.5 x 42. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/800/i/d2b9f9b7f21d31c8ab8fff6f331146f7790b5fe335c1cb29a5263dc934da7f37/2020-2021_Bardo-Road-1-23.5-x-42-UV-Curable-ink-on-Mirrored-Dibond-2021-1.jpg" /&#62;
&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/681904fb5c58a748359bd867af3c85c2b47a5dca011da88c116b598eb87ae514/2020-2021_Looking-for-experience.png" data-mid="118529719" border="0" alt="Looking for Experience, 11.75 x 18. Archival Ink on Slickrock." data-caption="Looking for Experience, 11.75 x 18. Archival Ink on Slickrock." src="https://freight.cargo.site/w/800/i/681904fb5c58a748359bd867af3c85c2b47a5dca011da88c116b598eb87ae514/2020-2021_Looking-for-experience.png" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/fd969ed76450b561834365a4a6bd3af1b52cb0d1d8f3a3ec7a378edd71bd3d9e/2020-2021_In-Memory-of-My-Desires.jpeg" data-mid="118529717" border="0" alt="In Memory of My Desires, 20.5 x 28. UV Curable Ink on Mirrored Dibond." data-caption="In Memory of My Desires, 20.5 x 28. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/800/i/fd969ed76450b561834365a4a6bd3af1b52cb0d1d8f3a3ec7a378edd71bd3d9e/2020-2021_In-Memory-of-My-Desires.jpeg" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/61fb7cedb495b2fcc85dab1ca23db77a8b4dcaed83fccb59fb99771f270f701f/2020-2021_My-Father-My-Self-My-mothers-Scarf-2-1.jpeg" data-mid="118529720" border="0" alt="My Father, My Self (My Mother's Scarf), 25.75 x 46. UV Curable Ink on Mirrored Dibond." data-caption="My Father, My Self (My Mother's Scarf), 25.75 x 46. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/800/i/61fb7cedb495b2fcc85dab1ca23db77a8b4dcaed83fccb59fb99771f270f701f/2020-2021_My-Father-My-Self-My-mothers-Scarf-2-1.jpeg" /&#62;
&#60;img width="587" height="800" width_o="587" height_o="800" data-src="https://freight.cargo.site/t/original/i/f8abad093ae5c314f6621e6c86d60c69346e88f1816077af3bd5f9ef269c8c81/2020-2021_My-Grandfather-My-Self.jpeg" data-mid="118529721" border="0" alt="My Grandfather, My Self, 28 x 20.5. UV Curable Ink on Mirrored Dibond." data-caption="My Grandfather, My Self, 28 x 20.5. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/587/i/f8abad093ae5c314f6621e6c86d60c69346e88f1816077af3bd5f9ef269c8c81/2020-2021_My-Grandfather-My-Self.jpeg" /&#62;
&#60;img width="614" height="800" width_o="614" height_o="800" data-src="https://freight.cargo.site/t/original/i/5b7855ac93e0a4aec0437cd99dabf04ad24e42f70779e1b19d5b05a0a4eac3ba/2020-2021_Purple-Duet-3.png" data-mid="118529722" border="0" alt="Purple Duet, 20 x 15. UV Curable Ink on Mirrored Dibond." data-caption="Purple Duet, 20 x 15. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/614/i/5b7855ac93e0a4aec0437cd99dabf04ad24e42f70779e1b19d5b05a0a4eac3ba/2020-2021_Purple-Duet-3.png" /&#62;
&#60;img width="473" height="800" width_o="473" height_o="800" data-src="https://freight.cargo.site/t/original/i/c312623328f9158fdeaec29c45baa6be8221ecbd6615543d4fa02555f10f7c3d/Self-Portrait-with-My-Grandmothers-Hands.jpeg" data-mid="118529724" border="0" alt="Self Portrait with My Grandmother's Hands, 20 x 11. UV Curable Ink on Mirrored Dibond." data-caption="Self Portrait with My Grandmother's Hands, 20 x 11. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/473/i/c312623328f9158fdeaec29c45baa6be8221ecbd6615543d4fa02555f10f7c3d/Self-Portrait-with-My-Grandmothers-Hands.jpeg" /&#62;
&#60;img width="337" height="455" width_o="337" height_o="455" data-src="https://freight.cargo.site/t/original/i/1b7b3892fb1bf6276ce1652d835f5044719b01c34ca22dc91ea34277940417a4/2020-2021_Reuthe.jpeg" data-mid="118529723" border="0" alt="Reuther, 46 x 25.75. UV Curable Ink on Mirrored Dibond." data-caption="Reuther, 46 x 25.75. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/337/i/1b7b3892fb1bf6276ce1652d835f5044719b01c34ca22dc91ea34277940417a4/2020-2021_Reuthe.jpeg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>2019</title>
				
		<link>https://rmarshallstudio.com/2019</link>

		<pubDate>Fri, 10 Sep 2021 11:28:38 +0000</pubDate>

		<dc:creator>Ru Marshall</dc:creator>

		<guid isPermaLink="true">https://rmarshallstudio.com/2019</guid>

		<description>
	
	2019


&#60;img width="742" height="1024" width_o="742" height_o="1024" data-src="https://freight.cargo.site/t/original/i/540d32a9d08a97fe35657cec729f9047ccb452a825bd4edf6d1fb06c3ea7ef8c/Tree-Crete-cropped-60-x-45-742x1024.jpeg" data-mid="118531361" border="0" alt="Tree, 60 x 45. Latex Ink on Silver Vinyl." data-caption="Tree, 60 x 45. Latex Ink on Silver Vinyl." src="https://freight.cargo.site/w/742/i/540d32a9d08a97fe35657cec729f9047ccb452a825bd4edf6d1fb06c3ea7ef8c/Tree-Crete-cropped-60-x-45-742x1024.jpeg" /&#62;
&#60;img width="751" height="1024" width_o="751" height_o="1024" data-src="https://freight.cargo.site/t/original/i/5f5b13c8f186937ac4bbf7a9c062f7642055b3dc24dd938a9a31a0030aafc21e/Wires-7-cropped-45-x-37.5-Silver-Vinyl-on-Dibond--751x1024.jpg" data-mid="118531363" border="0" alt="Wires 7, 45 x 37.5. Latex Ink on Silver Vinyl mounted on Dibond." data-caption="Wires 7, 45 x 37.5. Latex Ink on Silver Vinyl mounted on Dibond." src="https://freight.cargo.site/w/751/i/5f5b13c8f186937ac4bbf7a9c062f7642055b3dc24dd938a9a31a0030aafc21e/Wires-7-cropped-45-x-37.5-Silver-Vinyl-on-Dibond--751x1024.jpg" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/86ff0ea2799ac2aea2183ef282de5b162e8d1b44d8190f7de03b7d5e635e9bbd/Car-Window-38-48-x-36-silver-vinyl-mounted-on-Dibond-768x1024.jpeg" data-mid="118531357" border="0" alt="Car Window 38, 48 x 36. Latex Ink on Silver Vinyl mounted on Dibond." data-caption="Car Window 38, 48 x 36. Latex Ink on Silver Vinyl mounted on Dibond." src="https://freight.cargo.site/w/768/i/86ff0ea2799ac2aea2183ef282de5b162e8d1b44d8190f7de03b7d5e635e9bbd/Car-Window-38-48-x-36-silver-vinyl-mounted-on-Dibond-768x1024.jpeg" /&#62;
&#60;img width="752" height="1024" width_o="752" height_o="1024" data-src="https://freight.cargo.site/t/original/i/1af1389e5b834b6b86da190efcee3fb2cdb887844940a7e7d5e79148ea9b9de1/car-tree-2-44-x-25-uv-curable-ink-on-Dibond-752x1024.jpeg" data-mid="118531356" border="0" alt="Tree 2, 44 x 25. UV Curable Ink on Dibond." data-caption="Tree 2, 44 x 25. UV Curable Ink on Dibond." src="https://freight.cargo.site/w/752/i/1af1389e5b834b6b86da190efcee3fb2cdb887844940a7e7d5e79148ea9b9de1/car-tree-2-44-x-25-uv-curable-ink-on-Dibond-752x1024.jpeg" /&#62;
&#60;img width="752" height="1024" width_o="752" height_o="1024" data-src="https://freight.cargo.site/t/original/i/4208ac42b42fc153e1c5612890b702374b04384fe263279e863042c5d0a7c235/Wires-6-45-x-37.75-silver-vinyl-on-Dibond-752x1024.jpg" data-mid="118531362" border="0" alt="Wires 6, 45 x 37.75. Latex Ink on Silver Vinyl mounted on Dibond." data-caption="Wires 6, 45 x 37.75. Latex Ink on Silver Vinyl mounted on Dibond." src="https://freight.cargo.site/w/752/i/4208ac42b42fc153e1c5612890b702374b04384fe263279e863042c5d0a7c235/Wires-6-45-x-37.75-silver-vinyl-on-Dibond-752x1024.jpg" /&#62;
&#60;img width="1024" height="767" width_o="1024" height_o="767" data-src="https://freight.cargo.site/t/original/i/9dc855c395644de31d30fa8fb43611c7bfcc6d4380d09f847f07d87836c5ae50/Car-WIndow-42-JFK-1-42-x-56-UV-curable-ink-on-Mirrored-Dibond-1024x767.jpeg" data-mid="118531359" border="0" alt="Car Window 42 (JFK) 1, 42 x 56. UV Curable Ink on Mirrored Dibond." data-caption="Car Window 42 (JFK) 1, 42 x 56. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/1000/i/9dc855c395644de31d30fa8fb43611c7bfcc6d4380d09f847f07d87836c5ae50/Car-WIndow-42-JFK-1-42-x-56-UV-curable-ink-on-Mirrored-Dibond-1024x767.jpeg" /&#62;
&#60;img width="569" height="1024" width_o="569" height_o="1024" data-src="https://freight.cargo.site/t/original/i/b2d145c5667b2adddb685aeec08e4a30df632762b73776944a2d16024ac92ed6/curtain-13-2019-44-x-24.75-uv-curable-ink-on-mirrored-Dibond-569x1024.jpg" data-mid="118531360" border="0" alt="Curtain 13, 44 x 24.75. UV Curable Ink on Mirrored Dibond." data-caption="Curtain 13, 44 x 24.75. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/569/i/b2d145c5667b2adddb685aeec08e4a30df632762b73776944a2d16024ac92ed6/curtain-13-2019-44-x-24.75-uv-curable-ink-on-mirrored-Dibond-569x1024.jpg" /&#62;
&#60;img width="1024" height="779" width_o="1024" height_o="779" data-src="https://freight.cargo.site/t/original/i/1b0964d5b047a7c9d3daa924e07fb442339e82deccba88011fb0d7d9b50a603d/Arizona-5-Dibond-15-x-20-1024x779.jpeg" data-mid="118531354" border="0" alt="Arizona 5, 15 x 20. UV Curable Ink on Mirrored Dibond." data-caption="Arizona 5, 15 x 20. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/1000/i/1b0964d5b047a7c9d3daa924e07fb442339e82deccba88011fb0d7d9b50a603d/Arizona-5-Dibond-15-x-20-1024x779.jpeg" /&#62;
&#60;img width="724" height="1024" width_o="724" height_o="1024" data-src="https://freight.cargo.site/t/original/i/7511068f58cfa7d885b6255ff8aa71eb1492b51490f2c003106df05f15465ee9/Art-rear-view-window-44-x-24.75-uv-curable-ink-on-mirrored-Dibond-724x1024.jpg" data-mid="118531355" border="0" alt="Rear View 8, 44 x 24.75. UV Curable Ink on Mirrored Dibond." data-caption="Rear View 8, 44 x 24.75. UV Curable Ink on Mirrored Dibond." src="https://freight.cargo.site/w/724/i/7511068f58cfa7d885b6255ff8aa71eb1492b51490f2c003106df05f15465ee9/Art-rear-view-window-44-x-24.75-uv-curable-ink-on-mirrored-Dibond-724x1024.jpg" /&#62;
&#60;img width="764" height="1024" width_o="764" height_o="1024" data-src="https://freight.cargo.site/t/original/i/394d177c06f35b0762f8a3d42878bd5595a34c2cd21c11f3c0a90f7942e9c1be/car-window-41-45-x-33.75-silver-vinyl-mounted-on-dibond-764x1024.jpg" data-mid="118531358" border="0" alt="Car window 41, 45 x 33.75. Latex Ink on Silver Vinyl mounted on Dibond." data-caption="Car window 41, 45 x 33.75. Latex Ink on Silver Vinyl mounted on Dibond." src="https://freight.cargo.site/w/764/i/394d177c06f35b0762f8a3d42878bd5595a34c2cd21c11f3c0a90f7942e9c1be/car-window-41-45-x-33.75-silver-vinyl-mounted-on-dibond-764x1024.jpg" /&#62;

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